As you can tell in this close-up, I've taken a totally different approach to painting flowers than in the last post. That was a small 6 inch painting, in oil, done with small brushes and careful strokes. Realistic. This time I'm working a 48"x36" (4x3') canvas.
When approaching a large canvas it's best to stand back from the canvas, arm's reach. To get this loose look, I use a big filbert or brite brush, gripping it towards the end of the handle with my whole hand (not like holding a pen). Lots of sweeping and back and forth brushing -- rubbing edges of color into color (the side of my old brush is worn to a very different angle than its original shape from all that hard rubbing against the canvas). To create detail and interest, use the side of your brush and/or a Round
The cool thing about acrylic paint is that if you wait just a few minutes, one layers dries so you don't make 'mud' - you can get layers showing through layers. OR -you can paint wet over wet to mix your colors on the canvas - creating wonderful hues you would never get mixing on your palette. (That being said - I do mix colors on the palette but then work them into the canvas....they will change depending on if I'm painting over wet or dry areas.
Of course having some great music playing, warm light streaming in - makes this a grand old time. So grab yourself a big canvas (watch for sales: 2 for 1) some acrylic paint and get happy! Don't set up a still life, just have an idea - or a very loose sketch- of what you want to paint (totally abstract to an abstracted subject: flower, person, landscape. Don't try to make it real - make it full of odd color and proportion. PLAY!
Final painting should be up by end of week.
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